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by Gideon Marcus

I recently discovered the goodness that is the ACE Double. For just 35 cents (or 45 cents, depending on the series), you get two short books back to back in one volume. I've been impressed with these little twinned novels though their novelty may pass as I read more magazine scientificition – after all, many of the ACE novels are adapted magazine serials. Still, they've been a great way to catch up on good fiction I've missed.

For instance, ACE Double D-485 (released Spring 1961) pairs Lloyd Biggle Jr.'s The Angry Espers with Robert Lowndes' The Puzzle Planet.



(see the rest at Galactic Journey!)
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I've got a long-running feud going on with Mike Glyer, editor of the popular fanzine, File 770. Well, feud is probably too strong a word given that we're good friends and avid mutual readers. In fact, we usually get along quite well. All fans are united by love for the genre and our status as oddballs, after all. But Mike and I just can't seem to agree on Analog, a monthly science fiction magazine.

Here are the indisputable facts: Analog is the elder statesman of the digests; it pioneered real sf back when all the other outlets were pushing pulp adventure. Analog has the biggest circulation of any of the current digests, somewhere around 200,000 per month.

Now for the disputable ones. Analog is the most conservative of the mags. It's generally Terran-centric, with Earthlings portrayed as the most cunning, successful beings in the galaxy (which is why, of course, most aliens look just like us). While the serialized novels in Analog are often excellent, the accompanying short stories tend to be uninspiring. The science fact columns are awful. Editor John Campbell's championing of psionics and reactionless engines (in real-life, not just fiction), crosses into the embarrassing. All these factors make Analog the weakest of the Big Three magazines, consistently lagging in quality behind Galaxy and The Magazine of Fantasy and Science Fiction.

Of course, Mike disagrees He's even wagered that Analog will take the Hugo award for Best Science Fiction Magazine this year. I think he's dreaming. F&SF has won three years in a row, and barring some unexpected decline in quality, it will do so again.

I'll take that bet, Mike Glyer! Two beers to your one.

As evidence for my case, I present this month's Analog, dated June 1961.



(see the rest at Galactic Journey!)
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Happy St. Patrick's Day! It's a banner year for Irishmen, particularly with one having reached the top spot in the country, if not the world. And did you know that the phrase, "Luck of the Irish," actually referred to the knack of Irish immigrants and Americans of Irish descent for becoming wealthy in the Silver and Gold Rushes of the last century? Though the term was often used derisively by folks who thought the fortune was ill-earned.

My luck with Analog, deserved or not, ran out this month. With the exception of the opening serial installment, The Fisherman, by Cliff Simak (which I have not yet read but look forward to), the April 1961 Analog has been singularly unimpressive.

(read more at Galactic Journey!)
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At a local gathering of science fiction fans, my wife and I discussed the state of the genre, particularly how our digests are doing. Their boom began in 1949 and peaked in 1953, when there were nearly 40 in publication. That number is down to less than 10, and many are (as usual) predicting the end of the fun.

While it is true that the volume of production is down, I argued that the quality is up...or at least evolving. I used Galaxy's sister magazine IF as an example. IF pays it writers less than Galaxy, and it is a sort of training ground for new blood. Fred Pohl, the magazine's shadow editor, also prints more unusual stories there. As a result, the magazine's quality is highly variable, but the peaks tend to be interesting.



Sadly, this month's IF is chock full of valleys. You win some, you lose some. Still, for the sake of completeness, here's my review; as always, your mileage may vary!

(see the rest at Galactic Journey!)
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Galaxy's little sister, IF Science Fiction has settled into a predictable format. Filled with a number of "B" authors, mostly neophytes, it generally leads with a decent novelette, and the rest of the stories are two and three-star affairs. I don't think the blame can be put on IF's shadow editor, Fred Pohl (Horace Gold is all but retired these days, I understand). Rather, this is about the best quality one can expect for a penny a word.

That said, the stories in IF are rarely offensively bad, and perhaps some day, one of these novices learning the ropes of writing in the minor leagues will surprise us with a masterpiece.

Preamble out of the way, let's take a look at the November 1960 issue:

(see the rest at Galactic Journey!)
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We left off on a cliff-hanger of sorts, half-way through my review of the second issue of IF under Gold and Pohl’s management. In brief, it ends as it began: with a strong start and a fairly middlin’ finish.

Gordy Dickson is back to form with Homecoming, a quite nice novelette about a fellow running afoul of Earth customs agents when he tries to declare his pet. If you had a beloved companion, would you sacrifice your chances at immigration by refusing to part with it? The deck is extra stacked in this case—said “animal,” an enhanced kangaroo, is near-sentient. It’s a page-turner, and over too fast.

I’ve never heard of Kirby Kerr, but his An Honest Credit, about a down-on-his-luck fellow with nothing to his name but a priceless, ancient coin (with which he refuses to part) is pretty good. A bit maudlin and short on much that would identify it as science fiction, but I enjoyed it.

I normally don’t include book-review columns in these reviews, but Fred Pohl takes his column a step further, making it a sort of essay. Worlds of If discusses the appearance and non-appearance of gadgetry in science fiction stories, and whether or not it adversely affects the story (or makes it less “science-fictiony.” What do you think? Do you require whiz-bang inventions, or do you prefer a more subtle kind of s-f?

The penultimate tale is Escape into Silence by Australian Wynne N. Whiteford. I enjoyed most of it, this tale of a colony world that has slowly but inexorably ended up under the strict and paternalistic dominion of another colony, one that has risen to supremacy. The protagonist tries to escape, is given the opportunity to emigrate lawfully, but ultimately embraces the confined, noisy enclosures of his home town. I suppose people are loathe to give up what they know, even if they have a chance at something better. Something about the end rang false, however.

Finally, we have Hornets’ Nest by a Mr. Lloyd Biggle Jr. (which suggests there is a Lloyd Biggle Sr. roaming about; that makes me smile). Nest could have been written in the 1930s. A human starship returns to the solar system and finds all of humanity dead for having DARED TO PROBE THE HEART OF JUPITER, THE PLANET WITH THE BALEFUL EYE OF DEATH! It’s not quite so hackneyed; it’s actually a decent read, but I take my amusements where I can.

IF continues to be a solid, if uninspiring, magazine. Lacking the utter dreck of Astounding, it is, nevertheless, not as consistently good as its sister, Galaxy. It feels like what it is—a repository for the second-rate Galaxy stories (though, to be fair, they are not bad so much as often mediocre, and some are quite good). Three stars, and that makes it one of the better mags this month, sad to say.

---

P.S. Galactic Journey is now a proud member of a constellation of interesting columns. While you're waiting for me to publish my next article, why not give one of them a read!



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