Something is changing over at Galaxy magazine.
Horace Gold, Galaxy's editor, started the magazine in 1950, near the beginning of the post-pulp digest boom. He immediately set a high bar for quality, with some of the best authors and stories, and including a top-notch science columnist (this was before Asimov transitioned from fiction). Galaxy only once won the Best Magazine Hugo (in 1953, and that one it shared), but it paid well, eschewed hoary cliches, and all-in-all was a pillar of the field. It was the magazine that got me into reading science fiction on a regular basis.
Warning bells started to clang in 1959. The magazine went to a bi-monthly schedule (though at a somewhat increased size). Author rates were slashed in half. Gold, himself, suffering from battle fatigue-induced agoraphobia, became more erratic. This new Galaxy was not a bad mag, but it slipped a few rungs.
Fred Pohl came on last year. He was not officially billed as the editor, but it was common knowledge that he'd taken over the reigns. Pohl is an agent and author, a fan from the way-back. I understand his plan has been to raise author rates again and bring back quality. While he waits for the great stories to come back, he leavens the magazines with old stories from the "slush pile" that happen not to be awful. In this way, Galaxy showcases promising new authors while keeping the quality of the magazine consistent.
The June 1961 Galaxy is the first success story of this new strategy.
Last issue, I talked about how Galaxy was becoming a milquetoast mag, afraid to take risks or deviate far from mediocrity. This month's issue, the first that lists Pohl as the "Managing Editor," is almost the second coming of old Galaxy -- daring, innovative, and with one exception, excellent.
(see the rest at Galactic Journey!)
Horace Gold, Galaxy's editor, started the magazine in 1950, near the beginning of the post-pulp digest boom. He immediately set a high bar for quality, with some of the best authors and stories, and including a top-notch science columnist (this was before Asimov transitioned from fiction). Galaxy only once won the Best Magazine Hugo (in 1953, and that one it shared), but it paid well, eschewed hoary cliches, and all-in-all was a pillar of the field. It was the magazine that got me into reading science fiction on a regular basis.
Warning bells started to clang in 1959. The magazine went to a bi-monthly schedule (though at a somewhat increased size). Author rates were slashed in half. Gold, himself, suffering from battle fatigue-induced agoraphobia, became more erratic. This new Galaxy was not a bad mag, but it slipped a few rungs.
Fred Pohl came on last year. He was not officially billed as the editor, but it was common knowledge that he'd taken over the reigns. Pohl is an agent and author, a fan from the way-back. I understand his plan has been to raise author rates again and bring back quality. While he waits for the great stories to come back, he leavens the magazines with old stories from the "slush pile" that happen not to be awful. In this way, Galaxy showcases promising new authors while keeping the quality of the magazine consistent.
The June 1961 Galaxy is the first success story of this new strategy.
Last issue, I talked about how Galaxy was becoming a milquetoast mag, afraid to take risks or deviate far from mediocrity. This month's issue, the first that lists Pohl as the "Managing Editor," is almost the second coming of old Galaxy -- daring, innovative, and with one exception, excellent.
(see the rest at Galactic Journey!)