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As promised, a surprise article from a surprising source. Victoria Silverwolf has been an asset to this column for three years, providing commentary that might as well have been an article in and of itself (not to mention being 95% in alignment with my views). Imagine my joy when Ms. Silverwolf offered to contribute an article every month. Since to date I have only been able to cover four of the six major science fiction digests, we decided that Vic's greatest contribution would be in the coverage of another. And so, for your viewing pleasure, a review of the October 1961 Fantastic from our newest Mistress of the Weird...


by Victoria Silverwolf

Greetings from the night side. Our esteemed host has invited me to step out of the shadows and offer some thoughts about the literature of the uncanny, of the unnatural, of the unimaginable. Shall we proceed? Take my hand, and don't be afraid of the dark.



Fantastic magazine – or, to use its complete title, Fantastic Stories of Imagination, not to be confused with Fantastic Adventures or Fantastic Universe -- has had a checkered career during its nine-year lifetime. Started as a publication dedicated to literate fantasy fiction, much like The Magazine of Fantasy and Science Fiction, it soon had to attract readers from its older sister, Amazing Stories, by printing more science fiction. Unfortunately, low payment rates, the glut of science fiction magazines during the 1950’s, and indifference from management resulted in contents of poor quality.

This situation showed signs of improvement a little less than three years ago when Cele Goldsmith, originally hired as a secretary and general assistant, rose to the position of editor for both magazines. She has improved the quality of the publications by introducing readers to talented new authors such as Keith Laumer, Ben Bova, and David R. Bunch, as well as bringing Fritz Leiber out of retirement with a special issue of Fantastic featuring no fewer than five new stories from that master of speculative fiction. It remains to be seen whether Goldsmith’s editorship will lift the magazines’ sales out of the doldrums. One sign of hope is the fact that, for the first time since the Hugo Awards were initiated, Amazing Stories was nominated for Best Professional Magazine in 1960 and 1961.



With an optimistic mood, therefore, let’s take a look at the latest issue of the younger sibling.

(see the rest at Galactic Journey!)

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