By Ashley R. Pollard
Science fiction on British television used to be one of those once-in-a-blue-moon events. When it happened, what we got could often be very good. Certainly Nigel Kneale’s Quatermass series was compelling viewing, which drew in a large audience from the general population with millions tuning in each week to find out the fate of the infected astronauts.
The impact of Quatermass cannot be over stated, the name having taken root in the British public's imagination. And, now we have a sequel to A for Andromeda, which I reported on last year, to carry the torch for science fiction on British TV, which also looks like it will enter public’s lexicon. With the additional transmission of the anthology show, Out of this World, we seem to be entering a golden age of science fiction on television.
For those unfamiliar with A for Andromeda, let me do a recap. The first series, a story set in the future circa 1972, was about a group of scientists building a super computer for the military made from plans decoded from a signal sent from the Andromeda galaxy. This signal is a Trojan horse designed to take over our planet by creating an artificial human called Andromeda that the computer can control. It’s all very clever how this is revealed, and when the hero, Dr. Fleming, discovers that Andromeda is a slave of the computer he saves her by destroying the computer with an axe. Andromeda then burns the plans for the computer, and together they try to make their escape. Unfortunately, she falls into a pool and apparently dies, while Dr. Fleming is captured by Army personnel.
The Andromeda Breakthrough therefore has to square the circle of how to carry on the story without undermining the climax of the first series.
(see the rest at Galactic Journey!)