galacticjourney: (Default)
[The rush of modern technologies has created whole new industries, one result of which has been the breaking down of traditional barriers, as Ms. Lucas will illustrate...]


by Victoria Lucas

As a child I learned that there were expectations. Not so much rules. I don't remember being taught rules except for rules of grammar or other school subjects, including physical education class. Those Expectations determined What You Did, Who You Were, and other facets of one's life including Who You Know.

My encounters with Expectations came to a head on two occasions that I remember in my childhood, one when I was somewhere between 6 and 8, and one when I was 12. When I was 6, maybe 7, I remember sliding out of bed on the way to getting up and, with my head touching the floor but my legs still on the bed, having the epiphany that I was responsible for my own actions--not my parents or anyone else. Obviously it took me some time to work out the ramifications of this, but I had the basic concept, anyway.

When I was 12, I discovered that I was A Girl.

(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Rosemary Benton

At last, the levity that I so desperately needed has been provided. Prior to reading The Drowned World I was only aware of J. G. Ballard as a name. He was well published, I knew, but ultimately a background figure to my science fiction library. That all changed on June 30th, however, when I went to the town bookstore and purchased The Drowned World. The bookseller said that it would take me no time at all to read. I found this to be true, although the time it took me to process the book was far longer than than I had expected.



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Gideon Marcus

There are many ways to measure the strength of a story. Is the plot innovative? Does it resonate emotionally? Are the featured characters unusual? Does it employ clever literary devices?

As a writer, I am always particularly impressed by efficiency: the ability of an author to develop his tale with a minimum of exposition, unfolding a plot teasingly so as to keep the reader turning those pages with increased anticipation, and then delivering a solid conclusion at the end – where it belongs.

The July 1962 Analog Science Fiction delivers a series of object lessons in how (and how not) to write efficiently. In some cases, the execution can be admired even if the story isn't great shakes. And vice versa. Read on!:



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Gideon Marcus

The 20th Annual WorldCon is coming, Labor Day Weekend, 1962. Every year, attendees of this, the most prestigious science fiction convention, gather to choose the worthy creations of the prior year that will win the Hugo Award.



But if you can't make it to Chicago, don't worry. You still get to vote.

Galactic Journey is putting on its second live Tele-Conference via Visi-Phone for the purpose of gathering as many fellow travelers as possible together in one virtual place. Our mission – to select the best novels, stories, films, etc. of 1961. Maybe they'll make the official World Con ballot, maybe they won't. Who cares? It's what we like that matters. And if you're not completely up on all the works of last year, check out our Galactic Stars nominations for 1961.



In addition to Hugo talk, there will be the slew of entertaining discussions you've come to expect from the Journey: on world events, pop culture, the Space Race, and much more. Plus, we want to hear your questions for our special Stump the Traveler challenge. The best questioners will (once again) win a prize!

So don't miss out on the fun. To participate in the Tele-Conference, send in your RSVP to the box below, and you'll receive a ballot. Then sit tight, and on July 29, 1962 at 11am, tune in to the broadcast. As with last time, you will be able to chime in via tele-type, and, if you have the right equipment, you can even get invited on stage!

See you there!

galacticjourney: (Default)

By Ashley R. Pollard

It seems that television science fiction serials on British TV are like waiting at the bus stop for a London bus to arrive. You don’t see one for ages, and when you do, three turn up at once.

Therefore I am quite excited by the announcement of a new SF anthology series called Out of this World. So excited in fact that when I heard the news, I had to sit down, and then have a nice cup of tea to calm down. While it’s always good to see SF stories on television, the announcement of a series is also a portent of more to come.



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Gideon Marcus

I've been thundering against the new tack Editor Avram Davidson has taken The Magazine of Fantasy and Science Fiction for several months now, so much so that I didn't even save what used to be my favorite magazine for last this month.

So imagine my pleasant surprise when, in synchronicity with the sun reaching its annual zenith, the July edition also returns to remembered heights. Of course, Davidson's editorial prefaces are still lousy, being at once too obvious in describing the contents of the proceeding story, and at the same time, obtuse beyond enjoyment. If there's anything on which I pin the exceeding quality of this issue, it's the unusual abundance of woman authors. It's been a long time, and their absence has been keenly marked (at least by me). For the most part, the fellas aren't too bad either. Take a look:



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Victoria Silverwolf

In this age of Cold War tensions, it's a little disconcerting to discover that the United States made two failed attempts this month to detonate a nuclear warhead in space. The project, whimsically known as Operation Fishbowl, launched Thor missiles from Johnston Island, a tiny atoll in the middle of the Pacific Ocean under the command of the US Air Force. The missiles launched on June 2 (Bluegill) and June 19 (Starfish) had to be destroyed in flight due to technical problems. (Radar lost track of Bluegill, and the Starfish rocket engine stopped prematurely.) Some of the debris from Starfish landed on Johnston Island, potentially contaminating persons stationed on the atoll with radioactive material.



If that weren't scary enough, the three inmates who escaped from Alcatraz a couple of weeks ago are still at large. It's probable that they drowned in San Francisco Bay, but I'd advise those of you who live in the area to keep your doors locked.



Raising the alarm in these troubling times are two newly published documents drawing attention to the problems we face. The left-wing organization Students for a Democratic Society released a manifesto entitled The Port Huron Statement a week ago, promoting universal disarmament and other social and political reforms through non-violent civil disobedience.



(It's interesting to note the cover price is the same as that of the magazine I'll eventually get around to reviewing.)

At the same time, The New Yorker (which costs ten cents less than Fantastic or The Port Huron Statement published an excerpt from Silent Spring, an upcoming book from marine biologist Rachel Carson which discusses the danger posed to the environment by chemical pesticides.

With all of this depressing news, it's not surprising that a melancholy ballad of loneliness and lost love has been at the top of the charts for the entire month. Ray Charles isn't the first musician to have a hit with Don Gibson's 1958 country song I Can't Stop Loving You -- besides Gibson himself, Kitty Wells released a popular version the same year, as did Roy Orbison in 1961 -- but his version is by far the most successful. It seems likely that this unique combination of rhythm and blues with country-western will have a powerful impact on popular music.

In keeping with this mood, it's appropriate that many of the stories in the current issue of Fantastic feature characters haunted by loneliness, isolation, and lost love.



(see the rest at Galactic Journey!)
galacticjourney: (Default)
Marion Zimmer Bradley is an odd duck.

As a writer for a niche genre (science fiction), as a woman in a male-dominated field, as an occultist mystic in a stolidly Judeo-Christian world (she founded the Aquarian Order of the Restoration), and as someone who pines for the days when the genre was more fantastic, Bradley is many times over a breed apart.



That dislocation from the mainstream of society, even the mainstreams of rarefied slivers of society, has acted as a sort of crucible on her imagination. At the risk of engaging in unlicensed psychoanalysis, it seems that all this pent up desire to escape the real world has turned into a torrent she's focused at her writing. In the past several years, I've marked a focus of her work toward the psychic and the pulpy. It's hardly hidden – she said as much in the introduction to her first book:

While I was still collecting rejection slips for my early efforts, the fashion changed. Adventures on faraway worlds and strange dimensions went out of fashion, and the new look in science-fiction — emphasis on the science — came in...I think, there is a place, a wish, a need and hunger for the wonder and color of the world way out. The world beyond the stars. The world we won’t live to see.

Except her far futures don't have many futuristic trappings. Her settings are invariably medieval in flavor, with swashbuckling sword-wielders, hot-blooded heroes and beautiful damsels. It's pretty clear that this is the world she wants to live in, one of duels and kin-loyalty, where women, while they may be strong, also yield to a man's will.

We saw it in A Door Through Space, and we see it in the new Ace Double, #F-153. It's two Bradleys for the price of one (40 cents), and it, beginning to end, has Bradley's stamp upon it.

(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Gideon Marcus

Miracles are afoot at the Seattle World Expo. General Electric released its Visi-phone technology, allowing people from across the country to not only talk to each other, but to see each other as they do so.

Of course, money being no object, the cutting-edge Galactic Journey had to avail itself of this wonder immediately! The 21st Century...is now!



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Victoria Lucas

I am so honored to be taking up space here! The Traveler thought enough of my letters to the editor that he asked me to become a regular contributor. In my letters I mentioned how I've just graduated from Stanford and am going back to my old job in the Drama Department at the University of Arizona, and my mother's home, where I'm typing on an old portable Smith-Corona that has seen far too many papers, dissertations, theses, and so on as I've struggled to work my way through college.

Last fall I tacked up on my bulletin board (unfortunately in the sun) a short column of news about somebody with whom I sometimes work in Tucson little theatre--Bob Hammond, a French professor at the University of Arizona who once won a Fulbright to Paris and never recovered. He writes his plays in French and English and translates from each language into the other. The blurb introduced Hammond as one of four playwrights who formed a producing group for their work. One of the other playwrights was a fellow by the name of Charles Finney who was supposed to produce a play of his this year.

(see the rest at Galactic Journey!)


The article reminded me that I may have met Finney as I house-managed and assistant-directed Bob's plays. Or I might have seen him in his workplace, the newspaper building downtown, where he has been editor of the Arizona Daily Star for 32 years (I spent my Saturdays at the Tucson Daily Citizen my senior year in high school helping to put out the "Teen Citizen," a section of the paper.) So when I ran across The Circus of Dr. Lao and Other Improbable Stories I picked it up. It's edited by Ray Bradbury and published by Bantam Books, first out 1956.

In the very first sentence of his introduction to this book of short and long stories, Bradbury asserts that the works in this book "are fantasies, not science-fiction." He goes on to list some adjectives and statements that contrast science fiction and fantasy as genres (or at least his idea of the genres). Then, in two short, strident paragraphs, like trochees in a poem, he argues:

"Science-fiction balances you on the cliff.

Fantasy shoves you off."

This book of short stories (and one long one) conforms to that opinion. At least the shoving-off-cliffs part.

galacticjourney: (Default)

by John Boston



The July Amazing starts off ambiguously, with Stonehenge on the cover—often a bad sign, you could find yourself in Atlantis if you’re not careful. But it illustrates A Trace of Memory, a new serial by the reasonably hardheaded Keith Laumer, so we may be spared any deep wooliness. I’ll defer reading and comment until it’s complete.



So what else is there?

(find out at Galactic Journey!)
galacticjourney: (Default)

by Gideon Marcus

I've said before that IF Worlds of Science Fiction is sort of a poor sister to Galaxy Science Fiction. Since 1959, they've been owned and run by the same team; IF pays its writers less; the quality used to be markedly lower on average (with occasional stand-outs).



We seem to be entering a new era. The July 1962 IF was a cracking read once I got past the first story, which was short anyway. Not only were the stories fairly original, but even where they weren't, the writing was a cut above. And not in that arty, self-indulgent way that F&SF deems "literary," but in a real way that emphasizes characterization. It's a departure from the mode of the 50s, particularly the lesser mags, where the focus was on the gimmick, with the actors playing second-fiddle to the plot. Plus, Ted Sturgeon has made a permanent home here, which is always a good sign.

So read on – I think you'll enjoy the trip.

(see the rest at Galactic Journey!

((And don't miss your chance to see the Traveler LIVE via visi-phone, June 17 at 11 AM! A virtual panel, with Q&A, show and tell, and prizes!))
galacticjourney: (Default)

by Lorelei Marcus

You hear that? That's the last school bell ringing, signifying the end of the school year. That means the beginning of summer break, and with it the end of another season of The Twilight Zone. However, unlike the previous seasons of The Twilight Zone, I hear this may be the last. I am both sad, and a bit relieved. I have very much enjoyed reviewing this series with my father, and I am very sad to see it go. However, I believe its also time for it to go. It had a very good first season, and progressively got worse over time as Serling strained for more ideas. It was obvious that by the end, Serling was out of inspiration. Still, rather than focus on all the many mediocre episodes, I'd like to go back and appreciate the really stand-out episodes of The Twilight Zone.



The first ones I would like to honor, of course, were the two recent five star rated episodes, Little Girl Lost and The Fugitive. Truly spectacular works that were the perfect balance of peculiar, creepy, and heartwarming. Next I would like to honor The Mirror in its complete awfulness. It was really terrible, in a "so bad it's good" kind of way. Finally, I would like to say something about Time Enough at Last and It's a Good Life, because I know people are going to be asking about them. Time Enough had an interesting setup and conflict, however I didn't like the ending at all. Perhaps I'm just a sucker for happy endings, but just having his glasses break seemed like a cheap cop-out rather than an actual twist. It's a Good Life also had an interesting setup, however from there it just went downhill for me. There wasn't really a message I got out of it other than "don't spoil your kids," which I assume was not the intended theme. At least I don't have to babysit the kid. If you'd like to see full reviews of all the episodes I just mentioned, and more, just peruse past articles of Galactic Journey with The Twilight Zone in the title.

Alright, enough talk about episodes I've already reviewed; let's talk about the last four episodes. Which just so happen to be the literal last four episodes of The Twilight Zone:

(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Gideon Marcus

When we think of the word "invention," the big-ticket items come to mind: rockets, nuclear reactors, jet planes, penicillin, nylon. But innovation happens in all fields. Take entertainment, for example. A hundred years ago, music could only be heard live. Now we have phonographs, wire recordings, tape cassettes. A century past, and plays were strictly a live event. In the present, we can enjoy television and films, too.

Board games have evolved tremendously in the last century. From the old standards of chess, checkers and backgammon, the rise of the boxed game has provided a profusion of diversions. You've probably played some of the more famous ones like Scrabble, Monopoly, or Cluedo. These are abstract games, fairly divorced from reality (though Monopoly's property names are taken from real streets in Atlantic City).

Now, imagine there was a type of game that immersed you right in the action, putting you in the role of a general or a President. There is a new class of games that simulate historical conflict (which I covered a couple of years ago) called "wargames." They put you in the seat of a battle leader, pitting your strategic wits against an adversary. Unlike Chess (which is the spiritual granddaddy of the field), the units at your disposal represent actual divisions and brigades.



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Gideon Marcus

Ah, and at last we come to the end of the month. That time that used to be much awaited before Avram Davidson took over F&SF, but which is now just an opportunity to finish compiling my statistics for the best magazines and stories for the month. Between F&SF's gentle decline and the inclusion of Amazing and Fantastic in the regular review schedule, you're in for some surprises.



But first, let's peruse the June 1962 issue of The Magazine of Fantasy and Science Fiction, and see if, despite the new editor's best efforts, we get some winners this month (oh, perhaps I'm being too harsh – Editor is a hard job, and one is limited to the pieces one gets.)

(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Rosemary Benton

After a short hiatus following the death of a dear family member I was in desperate need of some levity. Avoiding the non-fiction section, and especially the news stand, I made my way to the science fiction shelves of my favorite book store and picked up a novel that had originally caught my attention back in April. Raiders from the Rings is latest story from experienced science fiction writer and physician Alan E. Nourse.

Following a near cataclysmic world war, Earth has separated genetically and culturally from those who live out an exiled existence in space. This space-bound society, appropriately called the Spacers, squeak out a living by occasionally raiding food stores and supply depots on the technologically-lagging Earth. But when a newly built secret Earth armada confronts a raiding party of Spacers, all out war is declared once again. Like the conflict that nearly wiped out humanity before, both Earthmen and Spacers seem to be on a trajectory of mutual destruction. It will be up to Ben of the Martian house of Trefon and his two Earthling hostages, Joyce and Tom Barron, to keep their people from pyrrhic victories.



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Victoria Silverwolf

In recent days the eyes of the world were focused on the most important event yet during the administration of President Kennedy. No, not Scott Carpenter’s successful, if suspenseful, orbiting of the Earth, so ably reported by our host. I’m talking about Marilyn Monroe singing Happy Birthday to the leader of the free world in a skintight beaded dress that drew at least as much attention as her little girl's voice.



In other musical news, after three weeks at the top of the Billboard's Hot 100 with their smash hit Soldier Boy, the Shirelles, pioneers of the girl group sound, have yielded the position to British clarinetist Mr. Acker Bilk with his performance of Stranger on the Shore. (Bilk is only the second artist from across the pond to make it to Number One on the American pop charts. The first was just slightly less than a decade ago, when Vera Lynn reached that position with Auf Wiederseh'n Sweetheart. I suppose we'll have to wait another ten years before the British invade the Yankee airwaves again.)

Bilk's haunting, melancholy melody could easily serve as background music for the cover story in the June 1962 issue of Fantastic.



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Gideon Marcus

They say things get tedious in repetition. Well, I can assure you that at no point during Scott Carpenter's three-orbit flight, planned to be a duplicate of predecessor John Glenn's, was I in the least bit bored. In fact, of the six manned space shots, this was the most moving for me. Since the launch this morning from the East coast of Florida, a couple of hours after dawn, I've been hooked to the television and radio, engaged to a greater degree than ever before.



(see the rest at Galactic Journey!)
galacticjourney: (Default)

By Ashley R. Pollard

Here, as I sit writing in May 1962, I’m contemplating change. The change that occurs when the old is phased out, and new things are built that replace the familiar. What spurred this moment of reflection was the news of the last trolley bus run in London which, as fate would have it, happened on the eighth of May in my manor—London slang for my local area. The irony is that the trolley buses were built to replace the old trams, but have now themselves fallen to the same fate of being old, and no longer appreciated for the modern convenience they once were.



Science fiction is arguably about change, hopefully not in the didactic way of, say, the classroom lecture, but rather through exploring the changes that comes from the introduction of the new. While I’m sure that some of the Galactic Journey’s readers may consider American SF stories to be the wellspring of all that the future holds, Britain does have magazines of its own to bring stories to aficionados of the genre on this side of the Atlantic.

One of them is called New Worlds.



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Gwyn Conaway

I have noticed trends swinging wildly these past few months. Shapes, colors, and patterns that we’ve rarely seen in the past are appearing in advertisements and our favorite magazines. We are in a transition phase, ladies and gentlemen.

Behind us, the Golden Age of the fifties is rosy and romantic, a time of economic surplus and increasing leisure. I see this past decade as the slow climb of a roller coaster. With John Glenn’s successful Mercury-Atlas 6 spaceflight just months behind us, I realize now that his success marks the top of the roller coaster’s first hill. We’re now looking down at a twisting, speeding track. It’s the sixties, and I can tell it’s going to be a wild ride.

Profile

galacticjourney: (Default)
galacticjourney

October 2017

S M T W T F S
1 23 456 7
891011 1213 14
15161718192021
22232425262728
293031    

Links

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Oct. 16th, 2017 10:10 pm
Powered by Dreamwidth Studios