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[I am pleased to present an unusual piece from our fan-turned-columnist, Vicki Lucas. It covers one of the oldest fantasies, as presented by one of the newest musical artists. As we all have had a Classical education (do you remember your Latin declensions?) this review of a modern interpretation of Oedipus should be right up your alley...]


by Victoria Lucas

"The limits of tyrants are prescribed by the endurance of those whom they oppress."
Frederick Douglass 8/3/1857



Those of you who have read my previous columns may remember that I have strange tastes in music (hallucinating music as a tactile object when I heard a totally new form) and that I have a somewhat political slant on some things (my participation in a lie-in and my feminist musings last time). The above remark of the former slave Frederick Douglass is relevant to some music I’ve been listening to—and its composer.

Last year I was surprised and delighted to hear relatively modern music on television and see Igor Stravinsky’s 1927 oratorio Oedipus Rex. So when I returned from Stanford, I checked out of the library the 1952 record of Stravinsky conducting, with Jean Cocteau as narrator. I’ve been listening to it over and over. Stravinsky is best known for Rite of Spring, a ballet with a throbbing beat that caused a riot at its premiere in 1913, but this music is very different.

(see the rest at Galactic Journey!)

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