galacticjourney: (Default)

by Gideon Marcus

I said in a recent article that science fiction runs the gamut from the hard-nosed to the fantastic, and that the former can be found most consistently inside the pages of Analog magazine.

Well, the February 1962 issue has proved me a liar.



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Victoria Silverwolf

Since the demise nearly a decade ago of the fondly remembered magazine Weird Tales, there has been a dearth of markets for horror stories. Occasionally a tale of terror will appear in the pages of The Magazine of Fantasy and Science Fiction, but otherwise there are few places where fiction dealing with the deepest, most irrational fears of humanity can be found. Perhaps this is due to the burgeoning popularity of science fiction as an expression of modern anxieties in this age of space exploration and atomic energy.

Even at the local movie theater one is more likely to find radioactive mutants and creatures from outer space than vampires, werewolves, and mummies, though the recent revival of these Gothic monsters by the British film production company Hammer hints that the tide may be changing, as does the popularity of classic horror movies on television programs such as Shock Theater. The new publication Famous Monsters of Filmland, edited by well-known science fiction fan Forrest J. Ackerman, also proves that there are many readers still interested in the dark side of fantasy.

A striking exception to above trend is Fantastic, which often features supernatural horror stories along with the kind of science fiction found in its sister publication Amazing. In particular, the February issue of the magazine contains at least as much of the former as the latter.



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Gideon Marcus

Science fiction is a broad genre. It includes hard scientific, nuts-and-bolts projections that read like modern tales with just a touch of the future in them; this is the kind of stuff the magazine Analog is made up of. Then you've got far out stuff, not just fantasy but surrealism. The kind of work Cordwainer Smith pulls off with such facility that it approaches its own kind of realism. In this realm lie the lampoons, the parables, the just plain kooky. They get labeled as "science fiction," but they don't predict futures that could actually happen, nor do they incorporate much real science. Rather, they end up in the sf mags because where else would they go? The Magazine of Fantasy and Science Fiction showcases this type as a good portion of their monthly offerings (appropriately enough -- "Fantasy" is in the name).

Galaxy magazine has always trod a middle road, delivering pure scientific tales, fantastic stories, and pieces of psychological or "soft" science fiction that fall somewhere in between. It's that balance that is part of what makes Galaxy my favorite magazine (that and stubborn loyalty – it was my first subscription).

The first Galaxy of 1962, on the other hand, veers heavily into the fantastic. Virtually every story presented has a distinct lack of grounding in reality. Does it work? Well...see for yourself.



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Gideon Marcus

The Earth is dead, its verdant continents and azure oceans replaced with a roiling hell. The crew of the Benjamin Franklin, humanity's first interstellar ship, gaze on the holocaust in horror. Are they only humans left? Do any of Terra's other ships (particularly the all woman-crewed Europa) still survive? And most of all, who is responsible for this, the greatest of crimes?



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Gideon Marcus

I recently discovered the goodness that is the ACE Double. For just 35 cents (or 45 cents, depending on the series), you get two short books back to back in one volume. I've been impressed with these little twinned novels though their novelty may pass as I read more magazine scientificition – after all, many of the ACE novels are adapted magazine serials. Still, they've been a great way to catch up on good fiction I've missed.

For instance, ACE Double D-485 (released Spring 1961) pairs Lloyd Biggle Jr.'s The Angry Espers with Robert Lowndes' The Puzzle Planet.



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by John Boston

Life is full of happy surprises! At long last Amazing has crossed a line: nothing in the the February 1962 issue is worse than three stars, and the average is a little higher. Read on; I think you'll agree that there is much to enjoy in this, the first magazine of the month:



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Rosemary Benton

Fate has been very kind to me throughout 1961. I was able to find a niche for myself as a university archivist, and I came across many people who shared my interest in all things science fiction. I have had the pleasure of publishing my thoughts on such amazing creators as Zenna Henderson and Andre Norton, and have even taken daring adventures to the shadier side of the science fiction entertainment industry. Finishing out the year with James Blish's The Star Dwellers was the cherry on top of a very delicious ice cream sundae.



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Gideon Marcus

At the end of a sub-par month, I can generally count on The Magazine and Science Fiction to end things on a positive note. F&SF has been of slightly declining quality over the past few years, but rarely is an issue truly bad, and this one, for January 1962, has got some fine works inside.



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Gideon Marcus

I read a lot of stuff every month. I consider it my duty, as your curator, to cover as broad a range of fiction as possible so that you can pick the stories most likely to appeal to you. What that means is I wade through a lot of stones to find the gems.

Analog is the magazine with the highest stone/gem ratio, I'm afraid. Nevertheless, it's rare that an issue goes by without something to recommend it, and the January 1962 edition has at least one genuine amethyst amongst the quartz.



(see the rest at Galactic Journey!)
galacticjourney: (Default)
[Several months ago, I put out the call for someone to help me review the two science fiction digests I didn't have time to read: Fantastic and Amazing, both edited by young Cele Goldsmith. I've generally considered them the least of the sff magazines, but given how few of them are left these days, I reasoned that they could not be entirely worthless. Moreover, I want Galactic Journey to provide as complete a picture of the genre as I can, covering virtually every story produced in this country (and many in the UK as well!) Hence, my delight when super-fan Victoria Silverwolf took up the pen and started reviewing Fantastic.

Now, a second long-time Journeyer, John Boston, has also responded. As 1962 begins, we now have all of the big periodicals presented. Read on and see what's you've missed...
]


by John Boston

As a a maladjusted high school freshman in a reactionary and pious small town, I'm always glad of the opportunity to get away, if only for a little while. Mostly, that means a flight of fancy facilitated by a trip to the library stacks or, if I've got a couple of bits, the newsstands. And now, the Journey affords me a chance to reach all of you, the fellow travelers who follow this column.

What I have for you today is the January 1962 Amazing Stories, subtitled Fact and Science Fiction. For some years, this magazine has been slowly digging itself out of a hole of purposeful mediocrity, with much improvement — but it's not quite at ground level yet.



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Gideon Marcus



God help me, I've found a new medium for my science fiction addiction.

Before 1950, I was strictly a toe-dipper in the scientifiction sea. I'd read a few books, perused a pulp now and then. Then Galaxy came out, and I quickly secured a regular subscription to the monthly magazine. After I got turned onto the genre, I began picking up books at the stores, occasionally grabbing copies of F&SF, Imagination, Astounding, and Satellite, too. By 1957, my dance card was pretty full. I was reading up to seven magazines a month, and I'd already filled a small bookcase with novels.

Then I started this column.

Well, I couldn't very well leave magazines or books unbought. How then could I give an honest appraisal of the genre as a whole? By 1960, I was up to two large bookcases – one for magazines, and one for books. For me, the magazine bust of the late 50's was something of a blessing: fewer digests to collect!

I might have been all right with this load, juggling work, family, books and magazines. But then I discovered Ace Doubles.

Occupying that niche between single novels and story collections, Ace Doubles are two short novels bound back to back. It's a format that's been around since 1952, but I generally ignored them. I figured the material was either rehashes of magazine serials, or stuff too mediocre to warrant its own release.

I wasn't far off the mark, but at the same time, after plowing through a few of them, I determined that there was often solid entertainment to be had amongst the pages of these two-headed beasts. And so I start on my third set of bookshelves...and my first review of an Ace Double: serial number F-113.



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Victoria Silverwolf

To be successful, a fiction magazine often needs to strike a balance between established authors and new blood. Experienced writers can generally be counted on to provide work of professional quality, while fledging storytellers may keep the magazine from seeming stale and predictable.

Such a strategy can be seen in the latest issue of Fantastic. Two famous names, one well known to readers of science fiction and the other familiar to almost anybody with a television set, appear on the cover. No doubt this will increase the sales of the magazine on the newsstand. Once the purchase is made, the reader might find the offerings from unknown authors more interesting.



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Gideon Marcus

There is an interesting rhythm to my science fiction reading schedule. Every other month, I get to look forward to a bumper crop of magazines: Fantasy and Science Fiction, Analog, and the King-Sized Galaxy. Every other month, I get F&SF, Analog, and IF (owned by the same fellow who owns Galaxy).

IF is definitely the lesser mag. Not only is it shorter, but it clearly gets second choice of submissions to it and its sister, Galaxy. The stories tend to be by newer authors, or the lesser works of established ones. This makes sense -- Galaxy offers the standard rate of three cents an article while IF's pay is a bare one cent per word.

That isn't to say IF isn't worth reading. Pohl's a good editor, and he managed to make decent (if not extraordinary) issues every month. The latest one, the January 1962 IF, is a good example.



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Gideon Marcus

It's the end of the year! "What?" you exclaim, "but it's only November!" True that, but the date on my latest Fantasy and Science Fiction says December 1961, and that means it is the last science fiction digest of the calendar year that will go through my review grinder.

F&SF has been the best magazine, per my ratings, for the past several years. Going into this final issue, however, it has lagged consistently behind Galaxy. Would this final issue be enough to pull it back into 1st place? Especially given the stellar 3.8 stars rating that Galaxy garnered last month?

Well, no. I'm afraid the magazine that Bouchier built (and handed over to Mills) must needs merit 8 stars this month to accomplish that feat. That said, it's still quite a decent issue, especially given the rather lackluster ones of the recent past. So, with the great fanfare appropriate to the holiday season, I present to you the final sf mag of 1961:

galacticjourney: (Default)

by Gideon Marcus

Every successful endeavor goes through the cycle of growth, stability, decline, and renewal (or death, in which case, there's no cycle). Science fiction magazines are no exception. A particularly far-sighted editor can plan for decline by setting up a successor. For instance Galaxy's H.L. Gold has turned over the reigns to Fred Pohl with no apparent drop in the digest's quality. Anthony Bourchier transitioned to Robert Mills at F&SF, and I understand that Renaissance Man Avram Davidson is waiting in the wings to take over. That event can't happen too soon, as F&SF has been lackluster of late.

Analog has had the same master since the early 30s: John W. Campbell. And while Campbell has effected several changes in an attempt to revive his flagging mag (including a name change, from Astounding; the addition of a 20-page "slick" section in the middle of issues; and a genuinely effective cover design change (see below)), we've still had the same guy at the stick for three decades. Analog has gotten decidedly stale, consistently the worst of The Big Three (in my estimation).

You can judge for yourself. Just take a gander at the December 1961 issue. It does not do much, if anything, to pull the once-great magazine from its shallow dive:



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Victoria Silverwolf

The last decade saw a boom in written science fiction as well as science fiction cinema, due in part to both the fear of atomic warfare and the promise of space exploration. Both trends have tapered off recently, possibly due to the many stories and films of poor quality offered to a public grown tired of cheap thrills. (No doubt such a fate awaits the countless Westerns currently dominating American television screens.)

In any case, the two media have had an influence on each other, not always to the advantage of either. Although science fiction movies have sometimes made use of the talents of important writers within the genre, such as Robert A. Heinlein’s contribution to Destination Moon, too often they have turned to the most juvenile pulp magazines and comic books for inspiration. In turn, some written science fiction has lost the sophistication it gained under editors such as John W. Campbell, H. L. Gold, and Anthony Boucher.



These musings come to mind when one peruses the pages of the latest issue of Fantastic. Of the two longest stories in the magazine, one is reminiscent of recent science fiction films, while the other deals directly with the movie business.

(see the rest at Galactic Journey!)
galacticjourney: (Default)


How small the world has gotten!

Less than a decade ago, trans-oceanic travel was limited to the speed of a propeller. If you journeyed by boat, as many still do, it would take two weeks to cross the Pacific. Airplanes were faster – with a couple of stops, one could get from California to the Orient in less than two days. As a journalist and travel columnist, I spent a good amount of time in both hemispheres during the early 1950s. I got to be quite seasoned at the travel game.

I have to tell you, things are so much faster these days. The jet engine has cut flight times in half, taking much of the tedium out of travel. Oh, sure, I always had plenty to do in the air, between writing and reading and planning my next adventures, but for my poor fellow travelers, there was little to do but drink, smoke, and write letters. For hours and hours.

These days, the Journey is my primary occupation. I can do it from anywhere, and I often do, bringing my family along with me. As we speak, I am writing out this article with the roar of the Japan Airlines DC-8's jets massaging my ears, music from pneumatic headphone cords joining the mix. It's a smooth ride, too. It would be idyllic, if not for the purple clouds of tobacco smoke filling the cabin. But again, I suffer this annoyance for half the time as before. I'll abide.

We've just lifted off from Honolulu, and in less than 8 hours, we will touch down at Haneda airport, in the heart of Tokyo, Japan's capital. We will be in the Land of the Rising Sun for two weeks, visiting friends and taking in the local culture. I'll be sure to tell you all about our adventures, but don't worry. I've also brought along a big stack of books and magazines so I can continue to keep you informed on the latest developments in science fiction. Moreover, I'm sure we'll see a movie or two, and we'll report on those, too.



Speaking of reports, I've just finished up this month's Galaxy Science Fiction....

(see the rest at Galactic Journey!)
galacticjourney: (Default)


War is still a ripe subject for fiction. It has been a constant part of the human existence since there were nations. For six thousand years, we've glorified it, hated it, resolved ourselves to it. There's no reason to expect it will go away any time soon, and it's no wonder that war is a common theme in science fiction.

A couple of years back, Robert Heinlein's Starship Troopers made a big splash with its interesting take on interstellar combat and the character of patriotism. It was a jingoistic piece that I'm sure resulted in a small spike in enlistments. Gordy Dickson's war novel Dorsai also came out in in 1959. Dorsai was a fairly straightforward war story of a genius mercenary with the temperament and training to become a renowned general. Like Troopers, it was a runner up for the 1960 Hugo (Troopers won).



Both are what I'd call "typical" of the genre. I find it interesting how often war is positively portrayed: exciting, filled with tales of cunning, guts, and derring-do. I suppose it's because World War Two was a "good" war. Democracy vs. Tyranny with clear villains to fight. Sure, we lost some of our boys, but we made the world safe again. And so we have a stream of war movies which are by turns dramatic, gripping, even comedic, but rarely overtly anti-war. A Walk in the Sun, a candid film that even included a portrayal of battle fatigue in the midst of action, is one of the few exceptions.

Pacifist sci-fi novels have been similarly rare. Given the nature of Dickson's Dorsai, I was thus surprised (and delighted) to see that his recent Naked to the Stars, serialized over the last to months in The Magazine of Fantasy and Science Fiction, is a thoughtful and engaging anti-war book.



(see the rest at Galactic Journey!)
galacticjourney: (Default)


Have you ever ordered your favorite dessert only to find it just doesn't satisfy like it used to? I'm a big fan of crème brûlée, and I used to get it every chance I could. That crispy carmelized top and that warm custard bottom, paired with a steaming cup of coffee...mmm.

These days, however, crème brûlée just hasn't done it for me. The portions are too small, or they serve the custard cold. The flavor doesn't seem as bold, the crust as crispy. I've started giving dessert menus a serious peruse. Maybe I want pie this time, or perhaps a slice of cake.

Among my subscription of monthly sf digests, The Magazine of Fantasy and Science Fiction used to be my dessert -- saved for last and savored. These days, its quality has declined some, and though tradition will keep it at the end of my review line-up, I don't look forward to reading the mag as much as once I did. This month's, the November 1961 issue, is a typical example of the new normal for F&SF:



(see the rest at Galactic Journey!)
galacticjourney: (Default)

by Gideon Marcus

Author Harry Harrison has been around for a long time, starting his science fiction writing career at the beginning of the last decade (1951). Yet, it was not until this decade that I (and probably many others) discovered him. He came into my view with the stellar Deathworld, a novel that was a strong contender for last year's Hugo. Then I found his popular Stainless Steel Rat stories, which were recently anthologized. The fellow is definitely making a name for himself.



Harrison actually occupies a liberal spot in generally conservative Analog magazine's stable of authors. While Harry tends to stick with typical Analog tropes (psionics, humano-centric stories, interstellar hijinx), there are themes in his work which are quite progressive – even subversive, at least for the medium in which they appear.

For instance, there is a strong pro-ecological message in Deathworld. I also detect threads of pacifism in Harrison's works, not to mention rather unorthodox portrayal of women and sexual mores. Harry isn't Ted Sturgeon or anything, but he is definitely an outlier for Analog, and refreshing for the genre as a whole.



Harrison's latest novel, Sense of Obligation (serialized over the last three issues of Analog) continues all of the trends described above.

(see the rest at Galactic Journey!)

Profile

galacticjourney: (Default)
galacticjourney

March 2017

S M T W T F S
    12 34
56789 1011
1213 141516 1718
192021 222324 25
2627 28293031 

Links

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Mar. 29th, 2017 07:11 am
Powered by Dreamwidth Studios